Still No Such Thing As Too Many Critics

In a previous post, I expressed my desire to become a professional film critic; a desire I've had since childhood. Since then, some progress towards that goal has been made - more reviews, more article contributions, more tweets and more contact with different people and places.

But, I could still be doing more.

Later this week, I have a job interview. Nothing guaranteed, but I might be doing some light filing and data entry pretty soon. Part time. My mother seemed a bit concerned by the news; "I don't want you to stop your writing". Of course I won't stop, but I do need some income (that's everybody's story). I know I can make this into a career. There has to be an opportunity out there somewhere. Maybe at Nola.com?

I was gonna hold off on writing this entry for a few more weeks, but I chose now to coincide with some interesting developments.

Recently, Nola.com - the Times Picayune's website - underwent a redesign. Colors were changed, sections were reorganized and some dead spots were consolidated. I assume (and hope) it's not the final version, as it could use some more local personality and be more user friendly. Despite the site issues (there are good online examples to follow), the change up shows a positive interest in internet distribution. And, even more recently (like a few hours ago), a rumor hit twitter that a big shakeup at the paper was being planned. Could all of this mean an opening for staff bloggers?

Perhaps. The big shakeup hasn't been officially announced, but it's believed that it will involve more reliance on the website to provide content, and less on printed papers - which would lead to days without a paper being printed.

More and more, people are getting their news off the internet. Sure, some still buy papers on Friday and Sunday, but, in the case of my mom at least, it's mostly for the coupons and ads. Whatever articles get printed in the paper now appear on a site as well. And, now with social networking, anybody connected can be informed of a new article as soon as it's posted, as opposed to waiting the next day for it to be delivered.

As someone who blogs about movies - usually involving the New Orleans area - and gets his news online, I find this concentration on website content very exciting. To be able to reach more people AND connect with them is all any blogger wants.

Losing a couple of daily papers is a bit rash, especially considering that portions of the area lack proper internet access; how will people get the news if there's fewer prints and not enough broadband? Maybe the answer - for now - lies in catering to the online readers and traditional audience separately. Creating a whole new department for a blogging team wouldn't be too difficult; local writers are already providing content for free, and would be more than happy to come on board for such a project. And we wouldn't even need a physical newsroom; a laptop and a coffee shop will suffice.

TP currently only has one critic (a fine one at that). As an area that is BOOMING with film productions - so much that it's now being called Hollywood South - we could use more pro movie writers. Nola is more than just a food and music town; it's a movie town, too. So many productions, screenings and events can spread any single critic thin. Pair that critic up with another? You've got some more coverage.  Pair that critic up with a blogger - someone who is constantly connected online (bordering on obsession) - you've got the whole area covered.

Considering the redesign, the possible shakeup and Hollywood South as it is - why not do what other papers (like LATimes) are doing? Why not put a movie blogger on the staff?

Perhaps not. Now, it's thought that some staffers may lose their jobs if the rumors are true. Longtime writers could be pushed aside in an effort to save money. If this happens, the likelihood of staff bloggers becomes slim. This seems to be what some papers across the country are doing, but it's a bit misguided if you ask me.

If anything, a paper should hire MORE staff writers, not LESS. I don't know much about the business end of things, but I do know that people are still reading - sometimes on paper and sometimes online - and they still depend on local news organizations and local writers for local information. You may think you can't afford your current staff, but you really can't afford not to have them. Adding a few more members, if only on a freelance basis, would be a benefit.

No matter what happens - if the shakeup rumors are true or not - I still think New Orleans area publications - like Nola.com - should invest in more movie bloggers, and I still think I can make a career out of doing what I love to do, despite the state of the economy. In the meantime, I've got some pants and a shirt to iron; gotta look nice for the job interview.

@NOFS Review: "Scrappers"

Full disclosure - I am currently one of the many Americans without a job. Like others who are gainfully unemployed, I applied at many different places; data entry facilities, customer service groups, hospitals, department stores and even a few fast food joints. No bite. I have sense attempted to go a different route - stop trying to find an opening, and make myself one. I'm still not where I want to be, but this plan is at least producing better results.

"Scrappers" tells the story of two men who, kind of like me, are making their job opening, albeit in a different field. See, they scour their local area for scrap metal - aluminum, iron, copper, etc. - and sell them to a junkyard for a profit. Well, hopefully for a profit; like what I'm currently doing, money isn't always guaranteed. These guys are taking a lot of risk; police tickets, sharp metals, heavy lifting, car breakdowns, fights - all for a small reward.

But, for Otis and Oscar - a senior and an undocumented immigrant - it's not all about the reward. Both men take much pride in what they do, and feel that they are providing a necessary service for their community. This is like the feeling most people have by default of being employed - the feeling that they are doing something with themselves. The feeling that they are contributing, as opposed to "taking a handout" from others. You show me a Republican who believes some people "just don't want to work", and I'll show them this movie.

Even when the economy took a hit in 2008, putting many scrappers out of work (the price of metals fell), Otis and Oscar took on jack of all trades type positions (painting, garage sales, etc). No matter what happens, no matter how hard they get hit, they WILL find work, dammit. And they WILL survive. I may be more fortunate than these men, but I could learn a thing or two from their story. Blogging aint the only job I can do, after all...

This documentary will be screened, for free, on Thursday May 17 at The Green Project Warehouse in New Orleans at 7pm, to be followed by a Skype Q&A with the filmmakers. Be there.

4/5 *'s

NOLA Could Use A Tugg

I used to operate a group called the SLU Film Critic's Association. Our function was to screen a variety of films on the campus of Southeastern Louisiana University for the benefit of all students. Sometimes, when a previously scheduled room was unavailable, we would improvise and just take another. We kind of liked doing those renegade events, but if showing our own choice of flick in a real theatre - without paying a rental fee - had been an option...

If only Tugg had been around in the groups' prime. Through this service, anybody who registers with the site can choose a movie from its collection, pick a local theatre they want to see it at, promote the event, and, if enough people agree to show up, it happens! Giving this kind of control to the audience is not only a great way of bringing classics and independents to the big screen, but an excellent way to get people back into the cinema!

If you scroll through this blog, you'll find a post where I recommend that MoviePass be given a chance in New Orleans. Well, of course, I suggest the same for Tugg. I recently had a facebook conversation with the operator of Chalmette Movies, where I asked if his theatre was participating with the service. He was unaware of it at the time, but hopefully he'll find it just as cool as I do. His theatre has great programming month to month; it makes sense to add another incentive for the audience. In the area, you have scores of film students and cast/crew members who are just itching to curate.

Why shouldn't a theatre partner with Tugg? I don't think there is an appropriate answer to that, as it only helps that theatres bottom line to promote an audience created event. If an exhibitor promotes Tugg, this increases the likelihood of a ticket buyer to create an event. If that same exhibitor promotes that event, more people will find out about it and reserve tickets. If that event happens, that exhibitor will have GUARANTEED customers coming in, probably wanting to buy some snacks as well. More moviegoers for you, more screenings for moviegoers to attend, more attendance for a movie - everybody wins.

And the city could see it's first Tugg screening next week. A local moviegoer is trying to setup a showing of Sergio Leone's "The Good, The Bad and The Ugly" at Canal Place. So far, 11 people have signed up - 39 more are needed to make this happen. We have just under 5 days...

<Update: With just a little over an hour before the deadline, the event reached the required number of audience members! 10 seats are still available...>

<Update 2: The event has now SOLD OUT! Fret not; go and register on Tugg, and start your own screening.>

Tugg only has 14 pages worth of movies to choose from, but, the more people show up to local events, the more other movies will become available, which will lead to more events. Maybe my old group should setup a revival event at The Prytania. I know there's an audience out there. 

Review: "Steve Chong Finds Out That Suicide Is A Bad Idea"

An existential crisis always makes for some good drama. We've all been there, I think; Why am I here? What's the point? What do I do now? Sometimes, this kind of deep thinking can lead to an even deeper sadness (especially if you realize how insignificant most of this is), which inevitably leads to a final question - Why shouldn't I end it all?

Steve Chong is asking that final question. With a string of bad luck (from dropping a plate of lasagna to getting fired) and a rather flat and distant attitude towards most people, suicide seems to make some sense to him. But, at the last minute, he decides to hold off for at least one more weekend - a hangout with his three pals at a lake house - to maybe find the answer he's been looking for.

I can relate a bit to Steve's problems. No, I've never considered suicide (nor do I strangely own a gun) but I am pretty shy and have suffered from depression. Medicine helps, but I've learned that the best way to break out of your shell is to act - to go out and do what you're too timid to do (exposure therapy, it's called). Steve's three friends, who discover his intentions during a night of drinking, slowly try to break down his wall and get him to live a bit.

But, what I can't relate to is Steve's attitude towards changing. He wants a reason not to kill himself, but doesn't seem willing to change. For example, when presented with an opportunity to loosen up with a girl he likes - a situation set up by his friends - he essentially blows off her attempts at a deep conversation. Someone once asked me if I enjoyed being depressed and stressed out. I don't, but maybe Steve just can't help it - maybe this is who he is, and he's just frustrated, when he should just accept himself. His friends already have.

Currently a work in progress, this is a nice little independent film. I really liked how, unlike some other indy films I've seen, this one doesn't overly rely on obnoxious humor or the word "fuck" - everybody in it acts, talks and feels like real people. Real people, real problems - that's all I ever wanted from a movie.

More about the strengths of friendship than suicide itself, I recommend this be viewed once it hits the road.

3/5 *'s

* I noticed on the movie's IMDB page that one of the assigned keywords for it was "long title". This made me chuckle, as the title is pretty long and a bit spoiler-ish. Maybe shorten it a bit? Just something to consider.   

Napoleonic Optimism

I forget exactly how I first came across Abel Gance's "Napoleon", but I do remember how I fell in love with it; by reading Kevin Brownlow's book. He chronicles the pre production, production and exhibition of, in my opinion, one of the greatest cinematic achievements ever - an opinion I formed from the book alone! The innovation in the project alone is breathtaking.

Thought lost for decades, Mr. Browlow slowly and painstakingly put together as close of a restoration as possible (now clocking in at almost 6 hours!) - a restoration that was screened just a week or so ago in this country. Being unable to attend - even suggesting to the promoters that the screening be streamed online - I started, as I had when I first finished the book, dreaming about an appropriate home video release.

And for that matter, why isn't Abel Gance's epic "Napoleon" on Criterion? http://j.mp/dpmzad
— Roger Ebert (@ebertchicago) May 27, 2010

Some years ago, it was almost impossible to think that a Criterion DVD of "Napoleon" would be released, considering the legal trouble between Francis Ford Coppola - who assisted with a version in the early 80's - and Brownlow over their respective cuts. But, considering the recent screening event being green lit by both parties, I think we may be closer than ever to watching a complete set of the film at home. Consider also the following from an interview with Brownlow on in70mm.com:

ML: In other words, there has been a rapprochement between all parties. 

KB: Yes, well the idea is that the Coppola version will be upgraded with our material and eventually we hope that our version will be on DVD. 

ML: On Bluray ?

KB: Yes.
ML: Hopefully this will be with the Carl Davies score. Has there been a compromise with the Carmine Coppola score?

KB: No! That will always be on their version.

ML: But they have given permission to release both versions?

KB: I think that the idea is that both versions will be available but, God, it is taking a long time.

And this little nugget from a NYTimes article:

"Mr. Harris agreed with the characterization of the festival screenings as a kind of a test run for the digital restoration, which suggests that he and Zoetrope (Coppola) have plans for future exploitation, including, maybe, a DVD and Blu-ray."

Sure, I've read a few articles where Brownlow suggests - and flat out says - that no DVD release is planned, but I refuse to accept that as the final answer. I think that the ultimate goal here ought to be in bringing the film to the attention of as many movie lovers as possible. If money is an issue, would a kickstarter like campaign be too naive?

I'm not trying to suggest that viewing the film - especially the grand triptych finale - on a TV would be the same as seeing it in a theater with a live orchestral performance; because it's not. And I understand that there is still some footage that has yet to be recovered. But, if "Metropolis" - a film that equally deserves theatrical presentation and also has some footage missing - can get a home video release and thus be enjoyed by just about anybody...

Will a Blu Ray/DVD release of "Napoleon" ever happen? I'd like to think so.